Mozart Symphony No 1 in E-flat K.16

Wolfgang Amadeus Mozart's Symphony No. 1 in E-flat major, K. 16, stands as a remarkable work composed by the young prodigy at the age of eight in 1764. This early symphony serves as a testament to Mozart's exceptional talent, revealing glimpses of his classical style. The three movements – Allegro, Andante, and Presto – reflect the influence of the symphonic form of the time, notably that of composers like Johann Christian Bach. Despite its youthful origins, Symphony No. 1 showcases Mozart's compositional prowess, foreshadowing the genius that would define his later masterpieces.

Haydn piano concerto in D: Vivace  

Franz Joseph Haydn's Piano Concerto in D major features a vibrant Vivace movement that captivates listeners with its lively tempo. In this movement, the interplay between the solo piano and the orchestra is marked by spirited exchanges. Haydn, a prominent figure in classical music, demonstrates exceptional craftsmanship and mastery of form in this concerto. The Vivace movement stands out for its joyous and effervescent character, highlighting the solo piano in a dynamic dialogue with the orchestra. Characterized by rhythmic vitality and melodic inventiveness, this movement serves as a testament to Haydn's compositional prowess within the realm of piano concertos.

Mozart Symphony No 9 in E-flat K.16

Wolfgang Amadeus Mozart's Piano Concerto No. 9 in E-flat major, K. 271, known as the "Jeunehomme" Concerto, unfolds with a captivating first movement. The Allegro movement is marked by its majestic and expressive character, showcasing Mozart's innovative approach to the piano concerto form. The soloist engages in a lively and dynamic dialogue with the orchestra, featuring virtuosic passages and eloquent thematic material. Mozart's masterful orchestral colors and seamless integration of solo and ensemble elements contribute to the concerto's enduring appeal, making the first movement of K. 271 a brilliant example of Mozart's mature and inventive musical style.

Willem Ten Have : Allegro Brillante in A major Op 19

"Allegro Brillante in A" by Willem ten Have is a lively and brilliant composition that underscores the composer's command of musical expression. The term "Allegro Brillante" aptly describes its fast and brilliant tempo, with the piece delivering energetic and dazzling musicality. Characterized by nimble and virtuosic passages, the composition presents both technical challenges and opportunities for expressive interpretation. Ten Have's work in A major exudes brightness and vigor, making it a captivating and delightful piece for both performers and listeners.

Haydn piano concerto in G : Allegro moderato

Franz Joseph Haydn's Piano Concerto in G major, often referred to as his Concerto in G major, Hob. XVIII/4, opens with a vivacious first movement. The Allegro movement is characterized by its lively tempo and cheerful demeanor. Haydn skillfully weaves a delightful dialogue between the solo piano and the orchestra, showcasing his trademark wit and inventive musical ideas. The movement unfolds with grace and elegance, featuring moments of virtuosity for the soloist and charming interplay with the orchestral accompaniment. Haydn's Piano Concerto in G major's first movement is a testament to his mastery of the classical concerto form and his ability to create engaging and joyful compositions.

Erin Fagan Intermezzo, for Olive  (World Premiere) 

This work is written in remembrance of Oliver Huang-Hsu. For those who did not know him, one cannot forget his infectious humor, unwavering good nature, and exceptional talents as a musician and composer. My encounters with Oliver in the later years of our acquaintance were often marked by his perpetual motion, navigating swiftly from one engagement to the next, from one lesson to another. The opening of this work attempts to capture the tranquility that I know he must have found in the brief respites between the chaos of his schedule. Perhaps a calm that seemed to emanate also from the steadfast beliefs he held. It is a calm I wish to experience, but do not.

The lively, second half of this work is a more true Intermezzo, and a tribute to the Oliver I cherished and remember most: animated, brimming with wit and cheer, and always adamant on upholding a facade of joviality with what he playfully referred to as our 'monkey smiles.' The persistent, vivacious nature of this final section is a nod to Oliver's style as a composer whose works were always brimming with a sense of mirth that again, I wish to conjure in my own works, but do not. My only wish is that the work evokes a semblance of the vibrant energy that defined Oliver's remarkable spirit as a composer, and as an individual.



Mozart piano concerto n 20 K 466 in D minor : Allegro

Wolfgang Amadeus Mozart's Piano Concerto No. 20 in D minor, K. 466, introduces a dramatic and expressive first movement. Opening with a brooding orchestral introduction, the Allegro movement features a turbulent and emotionally charged dialogue between the solo piano and the orchestra. Mozart's genius is evident in the poignant themes, intricate ornamentation, and dynamic contrasts. The movement is marked by its intense drama, showcasing Mozart's ability to evoke deep emotions within the classical concerto framework. The first movement of K. 466 stands as a compelling example of Mozart's mature and innovative approach to piano concerto composition.